Balloon Dog (Blue), 2021

(Schaf 19), 2013

"A currywurst is no longer just a sausage topped with tomato sauce and curry. It is the greatest thing that Berlin street food culture has to offer. It has long arrived at the Olympus of German culture. From a construction worker‘s quick snack to the cravings of Berlin's party scene, it has become a culinary delight. Served in a small cardboard tray with a plastic prick or plated on fine porcelain with proper cutlery, made of pork or vegan, with or without sausage gut, in one piece or cut into bite-size morsels, the choice is yours. In addition to the club culture and Checkpoint Charlie, the currywurst calls people from near and far. Because in front of a currywurst, all people are equal – hunger becomes happiness."  – Albrecht/Wilke

Wursthunger, 2022

Spider Gloves, 2002

BRLO Art Edition, 2016

Herend (Three Dogs), 2013

O-RANGE, 2020

Mystical Unicorn, 2023

Oberpollinger Selection: 15 January – 15 March 2026

X (am dancen), 2021

Tabouret, 1955

No Theater Bench Prototype, 2019

Wavy, 2021

NEW SELECTION

CONTRIBUTORS

ARTISTS

MAGAZINE

AI BIENNALE, ESSEN

REIMAGINE TOMORROW, 1954–2024

17–24 NOVEMBER 2024 | AI BIENNALE, ESSEN

REIMAGINE TOMORROW, 1954–2024. AI IN CONTEXT #2

GENERATIVE PHOTOGRAPHY REVISITED. FROM LIGHT TO CODE

GOTTFRIED JÄGER AND HEIN GRAVENHORST | GALLERY

16 OCTOBER – 5 NOVEMBER 2024 | GALLERY

GOTTFRIED JÄGER AND HEIN GRAVENHORST: GENERATIVE PHOTOGRAPHY REVISITED. FROM LIGHT TO CODE

HIGHLIGHTS

Garath_01, 2025

Huerth_01, 2025

Pompeji 37, 2023

Essen_05, 2025

SELECTION: HANS GEORG ESCH

ARTIST

Instagram has influenced Leah Schrager's artistic practice, merging photography and performance art through projects like NAKED THERAPY and her signature series, INFINITY SELFIE, which allows her to share nude images by repeating them. Despite gaining around 3 million followers, she found that her success on Instagram hindered attention for her music projects, particularly due to a predominantly male audience. This led her to collaborate on a female-friendly project called MAN HANDS, which explored celebrity culture over two years. However, the project was interrupted by COVID-19, leaving her feeling that she still has work to share to complete that narrative.

Leah Schrager discusses the complexities surrounding women's images once they are published, noting that they can go viral, be censored, or provoke a range of reactions. She expresses a more accepting attitude towards these challenges, recognizing that change takes time and emphasizing her role as a voice in the conversation. In her work ALIGNED WITH THE UNIVERSE, she embraces imperfections from AI generation, seeing them as markers of time and symbols of authenticity. Living remotely in the Sonoran Desert has increased her appreciation for online connection, motivating her to engage with the community through releasing her work as NFTs.

In conversation with Anika Meier, Leah Schrager discusses censorship on Instagram, the evolution of selfie feminism, and how working with AI has changed her artistic practice.

SOCIAL MEDIA AND CENSORSHIP

LEAH SCHRAGER: THE EVOLUTION OF SELFIE FEMINISM

ANIKA MEIER IN CONVERSATION WITH LEAH SCHRAGER

THE EVOLUTION OF SELFIE FEMINISM

CONVERSATION ABOUT SOCIAL MEDIA AND CENSORSHIP

Nylon Gradient Berlin, 2012

the dreamhouse experience, Berlin, 2013

the house of fun, Morro Bay, 2012

trou noir, Berlin, 2014

MAXIME BALLESTEROS

EXHIBITION

Aaron Huey transitioned from studying traditional art forms to photography, finding it to be an ideal medium for his travels to remote areas. His experiences documenting protests and communities inspired him to create more profound narratives, including work for National Geographic. When he gained access to the National Geographic Instagram account in 2012, it provided an opportunity to share more authentic and behind-the-scenes imagery without the lengthy editorial processes. This shift empowered photographers to communicate impactful stories directly to a vast audience, highlighting the potential of images to influence reality.

Huey plays an integral role in the ongoing evolution of photography, particularly highlighting the rise of AI-assisted imagery and its potential for artistic innovation. He expresses skepticism about the art world’s focus on commercial success rather than genuine talent. While he is excited about the creative possibilities of new technologies, he also emphasizes the critical need for photojournalism in a society increasingly disconnected from reality. Huey acknowledges the challenges posed by misinformation and the skepticism surrounding visual evidence, reflecting on his dual role as an artist and a photojournalist concerned about data integrity and the implications of these changes.

On the occasion of the exhibition REIMAGINE TOMORROW, 1954–2024, Anika Meier and Aaron Huey discuss his artistic beginnings, his photography for National Geographic and in the metaverse, image-making in the age of AI and Trump, and his predictions for the future of photography.

AI AND PHOTOGRAPHY

AARON HUEY: A NEW PHOTOGRAPHIC RENAISSANCE?

ANIKA MEIER IN CONVERSATION WITH AARON HUEY

A NEW PHOTOGRAPHIC RENAISSANCE?

CONVERSATION ABOUT AI AND PHOTOGRAPHY

ABOUT

EXPANDED.ART presents yesterday's pioneers and today's avant-garde as an online marketplace. 



Partnered with PROOF, Fellowship, Verse, MUD Gallery (Shanghai), fx(hash) 2.0, objkt.one, Foundation, Highlight.xyz, VERTICAL, Photo Edition Berlin, elementum, Emergent Properties, and Annka Kultys. 

ABOUT EXPANDED.ART

EXPANDED.ART presents yesterday's pioneers and today's avant-garde as an online marketplace.


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