JENNIFER & KEVIN MCCOY | MACHINE ORGANIC NFTs

First Row

CROSSLUCID | Dwellers Between the Waters. Forkings

The generative art for MA1 "ABSTRACT ORIGINALS" was coded by Geoff Davis in 1983 and released on data cassette in 1984 by his Micro Arts Group. The series name, "ABSTRACT ORIGINALS," in quotes references the debate on whether algorithmic computer art is art and the role of human creativity, which still continues today. The title, "ABSTRACT ORIGINALS," was in quotes because they were not individually original but rather generated from original code and were not abstract in the sense of being abstracted from reality; they were code reality. <meta charset="utf-8">The series of seven longform generative artworks was distributed by post or directly. In 1985, most of the Micro Arts work was published on the UK's Prestel teletext (like Minitel). <meta charset="utf-8">The catalog at the time stated: "A colorful experience for you and your VDU [visual display unit]. These mobile graphics can be color-coded to fit your décor. The order, timing, and repetition can also be controlled, giving a responsive art display to enhance your next dinner or cocktail party, union meeting, or conference." 
Davis programmed the seven artworks in MA1 "ABSTRACT ORIGINALS." It had menu controls for color, length, and looping. Davis’ other art releases included conceptual computer art, a SCUM Manifesto animation, slow art (a two-year-long graphic programme), and MA4 Story Generator, which was an "early precursor of ChatGPT" (Georg Bak, 2023).

GEOFF DAVIS | MA1 "ABSTRACT ORIGINALS"

Second Row

The acronym NFT stands for "non-fungible token." NFTs certify that a digital asset is unique and therefore not interchangeable. If you collect NFTs, you purchase tokens and the objects associated with them. The NFT is stored on the blockchain; it is unique, authenticated, and cannot be forged. 

EXPANDED.ART offers NFTs minted by artists on the Ethereum blockchain. The NFTs can be traded on decentralized marketplaces such as OpenSea.

SKYE NICOLAS | QUINTESSENCE

CHRIS COLEMAN & DEV HARLAN | THIN NATURES

MARGARET MURPHY | RE: ROAD TRIP

VOICES OF WEB3 is an archive of voices and statements summarising the year 2023 in digital art and culture. It is a document in time on the blockchain, bringing together some of the leading voices shaping Web3 and the history of digital art: artists, curators, and collectors.
THE VOICE GEMS The statements have been recorded in the form of spoken word, poems, and songs by the contributors and are frozen in time as VOICE GEMS on the blockchain. The VOICE GEMS were created by Harry Yeff (Reeps100) and Trung Bao, who have developed a voice-centred generative system utilizing data found in a human voice to synthesise the form and colour of the artwork.
Every voice is unique, and with that comes unique fingerprint-like data. Features like pitch, resonance, harmonics, and pace sculpt particle data points in a simulated digital space. View on <a href="https://opensea.io/collection/voices-of-web3-the-archive">OpenSea</a>.

VOICES OF WEB3 | THE ARCHIVE 2023

<a href="https://opensea.io/collection/lost-futures-by-anika-meier">View on OpenSea. </a> "Leave your eyes behind. You will see the invisible. You will feel infinity. You will no longer count hours. No more measuring. There is nothing to consider. There is nothing to decide. There's nothing left to do. It was a beautiful day today."
– Herbert W. Franke, ZONE ZERO, 1972
I am late to the Tribute to Herbert W. Franke. One year too late. Herbert (1927–2022) was a pivotal figure in bridging the gap between art and science. He was a scientist, author of science fiction, curator, mathematician, physicist, and speleologist. We met in early 2022 through a joint friend, museum director Alfred Weidinger. After returning from my visit to Munich, I went back to Herbert’s writing. He has been called "the most prominent German science fiction writer" by Die Zeit and a "great storyteller" by the FAZ. I agree. I started reading his novels again. ZONE ZERO from 1972 was the first one that came to mind.
"Leave what burdens you behind. A cloud absorbs you. A bowl of warmth. A handful of sympathy. A touch of oblivion. There is no past and no future…"
Words like these stuck with me, as did the images my mind created after reading the story for the first time. Two civilizations coexist independently. One over ground, one underground. A group travels to ZONE ZERO to learn more about the other civilization’s existence and finds a highly constructed environment beneath the sea surface. They find humans, mutants, and cyborgs.
AI can turn writing into the images a writer has in their mind when writing words. I have always wished this were possible. AI makes it possible. I can only speculate about the images Herbert had in his mind when he wrote ZONE ZERO. For me, this book was the point of departure for imagining a world in which humans don’t change locations anymore but live in a projection that is as good as reality. In Herbert’s words:
"If there is access to all information, changes in location are unnecessary. The projections are as good as the reality."

ANIKA MEIER | LOST FUTURES

A CHILD’S MACHIAVELLI by Claudia Hart was initially written and illustrated by the artist in 1995, inspired by Niccolò Machiavelli’s Renaissance treatise, THE PRINCE, the first book of political philosophy. Hart’s version began as a series of oil paintings and a small catalog, produced by the Realismus Studio, at the Neue Gesellschaft für Bildende Kunst, Berlin in 1995.
The catalog was eventually released as an expanded hardcover by Penguin USA in 1998, along with German and French editions.
While keeping to the meaning of the original, Hart rewrote THE PRINCE, reflecting street values and the voice of youth culture, as if Machiavelli’s book, meant to advise kings on seizing power, was a primer to teach good manners to small children.
In 2019, Beatrice Books, a small experimental publisher, reissued A CHILD’S MACHIAVELLI as a more contemporary book. At that time, Hart discovered among her files a series of Flash animations created for an ebook, the early 21st-century digital format that had long since disappeared, initiated by the production company Flicker Labs in 2010.
In 2022, at the height of the crypto bubble, she realized her old Flash animations could now be opened, so she transformed her technological castaways into NFTs. The animations were narrated by Hart using vocal recordings made in 2010, including sound effects and background music. With that last transformation, she ultimately produced animations that are brutal but true insights, standing as reminders that while technologies may come and go, human frailties remain the same.
"We are obviously in a period of cultural crisis, with the world slipping into autocracies, war in the Ukraine, and democracy dramatically destabilized in the USA. Social media is used to spread misinformation and engender fear and terror in order to manipulate the populace.The little mottos that I wrote in the early nineties are more relevant now than ever. They seem to be pointedly directed at the cultural and political world of today. Yet when I wrote them, I felt that I was translating Machiavelli’s early 16th-century text into the politics of that time."
– Claudia Hart, June 2023

CLAUDIA HART | A CHILD'S MACHIAVELLI | NFTS

ANIKA MEIER | A JPEG HAS AN AURA

EXPANDED.ART presents the international group exhibition of early computer art and generative art, THE THINKING MACHINE. PRESENTING PIONEERS, 1953-2023 in collaboration with ELEMENTUM.ART. Curated by Anika Meier and Georg Bak. The exhibition will be on view from 6 to 27 JUNE 2023 at EXPANDED.ART in Berlin. Additionally, the NFTs will be shown at NFT ART Day Zürich on 11 June.
The exhibition presents pioneers from different generations, early 1950s until today, working in the field of generative art. On view will be, among others, plotter drawings, generative photography, sculptures, and NFTs from 30 international artists.
Artists: Ai-Da Robot, Victor Acevedo, Vladimir Bonačić, Analivia Cordeiro, Pierre Cordier, Geoff Davis, Hans Dehlinger, Boris Eldagsen, Primavera de Filippi, Herbert W. Franke, Hein Gravenhorst, Ira Greenberg, Samia Halaby, Heinrich Heidersberger, Karl Martin Holzhäuser, Roger Humbert, Gottfried Jäger, Mario Klingemann, Zach Lieberman, LoVid, Jonas Lund, Jennifer and Kevin McCoy, Lee Mullican, Frieder Nake, Piter Pasma, Aaron Penne, Manuel Rossner, Marcel Schwittlick, Travess Smalley, Marina Zurkow
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THE THINKING MACHINE. PRESENTING PIONEERS, 1953-2023 | NFTS

LEE MULLICAN | COMPUTER JOY

OONA | LIQUID HARMONY

HEINRICH HEIDERSBERGER | RHYTHMOGRAMS NFTs

Techno Terrain: Nature in the Age of the Metaverse

POETRY ON THE BLOCKCHAIN

Original marriage certificate of Ania Catherine and Dejha Ti: The institution of marriage historically has been an oppressive institution for women. The artists, who are married to each other and also have a collaborative art practice, consider their inhabitation of marriage to be both practical (1,138 rights are reserved for married couples in the U.S.), and also a durational subversive performance reimagining a traditional institution in a queer and revolutionary way.

OPERATOR | LET ME CHECK WITH THE WIFE

View the collection on <a href="https://objkt.com/profile/tz1N4s9LXFP7gRQBeE6KKfrSbaCoRBVneibQ/created">objkt.com</a>. SOUVENIRHRZ by LoVid is a retro-futuristic collection. It’s a mix of nostalgia with rainbow colored dystopia. The sixteen stills from SOUVENIRHRZ capture moments in the artists’ work flow in the analog video studio. Each piece in the SOUVENIRHRZ collection is one frame from a video recording, deinterlaced to reveal a moment that would otherwise not be experienced by viewers. LoVid uses this deinterlacing process frequently. 
SOUVENIRHRZ is released on the occasion of LoVid's solo exhibition TANGIBLE TIMELINES at EXPANDED.ART. It's the artists' first NFTs on the blockchain Tezos.

LOVID | SOUVENIRHRZ

EXPANDED.ART is delighted to present the solo exhibition MY TRAVELS IN HYPERREALITY by Claudia Hart in collaboration with Annka Kultys Gallery on view in London and online. Curated by Annka Kultys and Anika Meier, the exhibition showcases seven video projects that span two decades of the artist’s creative output. 
The seven videos on view showcase Hart's extensive digital art practice, highlighting her prolific use of simulation technologies such as augmented reality, animation, and printed sculptures. Her work delves into philosophical themes, exploring time, history, and human desire. Created between 1998 and 2019, these artworks provide an intimate glimpse into Hart's personal voice. 
Hart's artworks are showcased and collected by institutions such as the Whitney Museum of American Art, Museum of Modern Art, National Gallery, Hamburger Bahnhof, Albertina Museum, The Carl &amp; Marilynn Thoma Foundation Collection, the Spalter Digital Art Collection, and The New York Public Library. She has exhibited at the New Museum, created projects at the Eyebeam Center for Art + Technology, and is currently a fellow at the Center for New Music and Audio Technology, UC California, Berkeley.

CLAUDIA HART | MY TRAVELS IN HYPERREALITY

ILLUMINATED by Emily Edelman explores communication beyond what written language can reach. We find feeling—and meaning—in the bright wash of an epiphany, in the sound of familiar voices, or in the design of a book. Words alone can do so much, but some things remain in the space just beyond them.
The characters Emily Edelman used in ILLUMINATED do not belong to any language. They were created using a variant of the typographic generative algorithm for ASEMICA (Art Blocks Curated, 2021).
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EMILY EDELMAN | ILLUMINATED

POEMS FOR DAMIEN HIRST by Jurgen Ostarhild is a series of text images based on the spot paintings by Damien Hirst. Each color spot was assigned the corresponding hexadecimal code (hex code). The size, proportions, and titles of the originals have been retained. A special monospace font designed for this series allows the six alphanumeric characters that make up a hex code to be mapped as a circular area.
Eugen Gomringer, the father of concrete poetry, discovered a certain poetry in these code pictures and sees them as a continuation of his work. If one gave meaning to the individual characters, the images could be read as verses and poems. In 2019, Ostarhild was part of the exhibition PHÄNOMENE DER SPRACH-KUNST IN WORTBILDERN AUS LETTERN UND CODE curated by Eugen Gomringer at the Institute for Constructive Art and Concrete Poetry in Rehau: works in letters containing the hexadecimal code for color photography were presented.

JURGEN OSTARHILD | POEMS FOR DAMIEN HIRST

<div data-mce-fragment="1">JONAS LUND ON THIS DAY</div>
<div data-mce-fragment="1">KÖNIG DIGITAL | DECENTRALAND | NAVE</div>
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18 JULY - 09 SEPTEMBER 2021 Click <a aria-describedby="a11y-external-message" href="https://www.youtube.com/watch?v=1kynLXXkW7Q" data-mce-fragment="1" data-mce-href="https://www.youtube.com/watch?v=1kynLXXkW7Q">HERE</a> to watch the guided tour by Jonas Lund through ON THIS DAY. 
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<div dir="ltr" data-mce-fragment="1">The digital solo show ON THIS DAY by Jonas Lund at KÖNIG GALERIE in Decentraland, a virtual world based on the blockchain, explores memories and influence. Jonas Lund and his animals take the digital visitors on a journey through the JONAS LUND TOKEN universe. 
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<div dir="ltr" data-mce-fragment="1">The visual representation of the JONAS LUND TOKEN has taken different shapes and forms since its inauguration on March 21, 2018. JONAS LUND TOKEN (JLT) is a distributed decentralized autonomous artistic practice that aims to optimize and streamline the decision-making process in art production and the strategic decisions concerning Lund’s career path. The JLT shareholders participate in the decision-making process by casting votes on proposals and through discussions on the JLT website. As the career path of Lund improves and his market value increases, so does the value of a JLT, thus allowing board members to profit through dividends and potential sales of the tokens. HOW TO BECOME A JLT SHAREHOLDER Join the shareholders and participate in the distributed control over Jonas Lund’s artistic practice by completing a JLT Bounty or by investing in a JLT wall piece or a JLT NFT. THE BENEFITS OF BEING A JLT SHAREHOLDER Starting with this exhibition, the profits from every JLT NFT sale will be distributed to the shareholders based on the amount of JLTs they hold. Join them for board meetings during the duration of the exhibition ON THIS DAY, experience the special features for shareholders and get exclusive access to the VIP area on the rooftop of St. Agnes in Decentraland. A long table with 50 chairs stands in the center of the gallery space. The chairs are reserved for selected JLT shareholders, the Eames chair at the short end of the table is reserved for the artist: the chairs are free, the space is filled with animals like an elephant, a zebra, a camel, a penguin, a leopard, and a sheep. The animals patiently wait for something to happen and observe Lund walking around the table in circles. The artist constantly walks by memories that hang on the wall in the form of a JLT: seaside landscapes, seafood, and selfies. The photos are recommendations by one of Apple’s algorithms, trained to remind users of personal moments. Shareholders are offered a fraction of the artist Lund and are presented with his most precious moments from the past months of his private life to deepen the relationship. THE JLT COLLECTIBLES  Choose your kindred spirit, the animal you relate to and become part of the JLT community by owning a representative and symbol of the JLT universe. The elephant for example stands as a symbol of good luck, prosperity, the destroyer of evil, and the remover of obstacles.  ON THIS DAY is an incentive and opportunity to invest in Jonas Lund’s career and an invitation to remember special moments together.</div>

JONAS LUND | JONAS LUND COLLECTIBLES

EXPANDED.ART'S PIONEER GRAILS is a series of 72-HOUR OPEN NFT EDITIONS presenting paradigmatic artworks from key figures in the history of digital art.<quillbot-extension-portal></quillbot-extension-portal>

PIONEER GRAILS | 72-HOUR OPEN NFT EDITIONS

Created in 1987, the ECTOPLASMIC KITCHEN SERIES was Victor Acevedo’s first important group of digital art images. The series was created with a software package called Artwork. This was a 2.5D Vector Graphics Software licensed by West End Film/Pansophic. 2.5D (Two and a half ‘D’, D=dimensions) means it supported mouse controlled, manipulation of on-picture-plane graphical objects within any implicate or explicate polygon domain toward convergent perspectival vanishing points. However, the software’s computer graphic capabilities would not be classed as that of a full 3D modeling system.
The original DOS-based image file was saved to a 5.25” floppy disk; usually written to a ‘Pansophic’ flavor of the PIC or Hex format. However, the NFT linked JPG files presented in this exhibition were produced from high-resolution scans of 35mm slides that were output via a 2K Matrix digital film recorder directly from the original computer files in 1987. The slide film was developed by the artist himself in a small dark room, after-hours at the business-to-business 35mm slide production service bureau, where he worked in the Spring of that year.

VICTOR ACEVEDO | ECTOPLASMIC KITCHEN SERIES

HERBERT W. FRANKE | MONDRIAN (1979/2010/2022)

LOVID | HUGS ON TAPE

Manuel Rossner curated his first digital exhibition project Float Gallery in 2012, which included Jeremy Bailey's 2004 piece VIDEO PAINT 1.0 in which Bailey describes the benefits of a painting software he designed. Such benefits include clean hands, material savings, and automatically added words such as "war" and "love" for meaning. The presentation begins with the lines "I wrote this program...," emphasizing his excitement about transforming how art is created.
19 years after VIDEO PAINT 1.0, Rossner chatted with artificial intelligence to create the work I WROTE THIS SCRIPT. This assertion, however, is not made by him. The full statement is "I, ChatGPT, an OpenAI language model, wrote the script for the organic form in Unity that you requested earlier."

MANUEL ROSSNER | I WROTE THIS SCRIPT

EXPANDED.ART presents the group exhibition A BEATING HEART. FEMALE PIONEERS OF DIGITAL ART on view in Berlin 17 May to 4 June 2023.
The exhibition explores how female artists at the forefront of digital art approach the male-dominated field in a variety of mediums such as AI, AR, video, poetry, and sculpture. 16 artists delve into our relationship with technology, dissolve the boundaries of the female body, deal with young femininity and the burden of its expectations, draw a portrait of the collision of committed love, exhaustion, and desire, and ask us to consider what we truly value.
<meta charset="utf-8"> ARTISTS: Gretchen Andrew, Ana María Caballero, Carla Gannis, Claudia Hart, Tali Hinkis (LoVid), Sophie Kahn, Martina Menegon, Marjan Moghaddam, Oona, Operator, Chiara Passa, Kelly Richardson, Anne Spalter, Sasha Stiles, Addie Wagenknecht, and Kathrin Wessling.

A BEATING HEART. FEMALE PIONEERS IN DIGITAL ART

For SMOKE AND MIRRORS, Justin Aversano created a tarot deck consisting of portraits of people in and of his life: among others, family members such as his dad and sister, artists such as Fewocious and Kris Graves, musicians such as Nadya Tolokonnikova of Pussy Riot, and Web3 builders such as GMoney and the twins Winkelvoss and Cock Foster. 
The 78 prints are silkscreened on papyrus, an extremely precious writing ground in ancient Egypt, which is a reference to the time when tarot was created. The number 78 derives from the number of playing cards in a tarot deck, a spiritual guide, means of self-reflection, and tool of divination. The American artist confronts the fear of death and celebrates the joy of life by portraying the heroes and healers surrounding him. 
SMOKE AND MIRRORS – PHYSICAL TAROT SCROLLS – 2/3 were presented at EXPANDED.ART in Aversano’s first international solo exhibition, RAUCH UND SPIEGEL, on the occasion of Gallery Weekend Berlin 2023.

JUSTIN AVERSANO | SMOKE AND MIRRORS – PHYSICAL TAROT SCROLLS – 2/3

KIM ASENDORF & LEANDER HERZOG | CHROME

MIKEY WOODBRIDGE & EZRA SHIBBOLETH | ALGORITHMIC ZONES OF PICTORIAL SENSIBILITY

CHIARA PASSA | OBJECT ORIENTED STONES

PHOTO FINISH by Far explores the impact of technological progress, in concrete AI, and its influence on visual culture, featuring the horse as a central symbol. The artwork references its historical significance in the work of Eadweard Muybridge, where the horse served as an object for capturing the passage of time with photography and ultimately led to the development of motion pictures. 
PHOTO FINISH explores the introduction of new technological players in the visual production process, specifically focusing on AI-generated images of horse races.

FAR | PHOTO FINISH

EXPANDED.ART is pleased to present RECOLLECTION. AI AND MEMORY in collaboration with The NFT Gallery at their galleries in New York and London, 11 April – 13 May 2023. 19 artists explore the idea of further challenging the concreteness of human memory—personal or collective—through creative collaboration with AI. Memories are nebulous. Scientific studies and phenomena such as "The Mandela Effect" have shown that humans rarely recall things in their unbiased exactitude. Artificial Intelligence already assists human memory in the form of predictive text and GPS navigation. One would surmise that there exists a role for AI when it comes to supplementing even more complex memory. RECOLLECTION. AI AND MEMORY: 11 April - 13 May 2023 
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 Artists: Ilya Bliznets, Crashblossom, Anna Dart, Olga Fedorova, Ross Goodwin, Danielle King, Margaret Murphy, Kika Nicolela, Roope Rainisto, Daria Rastunina, Manuel Rossner, Travis LeRoy Southworth, Anne Spalter, Nathaniel Stern, Sasha Stiles, Stephan Vasement, Nicola Villa, Sabato Visconti, Erika Weitz The NFT Gallery, New York 88 Clinton Street Tuesday - Friday: 10 AM - 6 PM Saturday: 10 AM - 5 PM Opening: 13 April | 2-5 PM On the occasion of NFT.NYC. The NFT Gallery, London 5-7 Dover Street Tuesday - Friday: 10 AM - 6 PM Saturday: 10 AM - 5 PM Opening: 11 April | 6-8 PM 
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NFT RELEASE SCHEDULE The NFTs will be minted on Ethereum and Tezos and will be available to collect on EXPANDED.ART and Objkt.com. The artists will release 1/1s and limited editions created in collaboration with AI. 26 APRIL | 6 PM CEST | 12 PM ET | 9 AM PT Crashblossom, Ross Goodwin, Manuel Rossner, Travis LeRoy Southworth, Anne Spalter &amp; Nathaniel Stern, Sasha Stiles, Sabato Visconti, Erika Weitz 28 APRIL | 6 PM CEST | 12 PM ET | 9 AM PT Ilya Bliznets, Anna Dart, Olga Fedorova, Danielle King, Margaret Murphy, Kika Nicolela, Roope Rainisto, Daria Rastunina, Stephan Vasement, Nicola Villa In collaboration with The NFT Gallery. The NFT Gallery exists to make NFTs more tangible, providing an immersive experience where both existing and emerging collectors can enjoy a curated selection of NFTs in a physical space, as well as online. The NFT Gallery aims to make NFTs and digital art accessible to everybody, it is a space to collect, engage and learn.
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RECOLLECTION. AI AND MEMORY

ROOPE RAINISTO | RECOLLECTION MACHINE

CRASHBLOSSOM | PFPX30

INFLATABLE METAVERSAL FRIENDS by Anne Spalter delves into our relationship with technology, particularly the screens that dominate much of our modern lives. We spend countless hours interacting with digital devices, creating and consuming content, and forging identities within the virtual realm. This relationship is mirrored in this series of metaversal avatars, which reflect our digital personas back to us.

ANNE SPALTER | INFLATEBLE METAVERSAL FRIENDS

ANNE SPALTER & NATHANIEL STERN | FUTURE MYTHOLOGIES

MEMENTO MEMORIAE is a media-rich poem by award-winning poet, artist and AI researcher Sasha Stiles, whose explorations of the post/human condition frequently probe the relationship between memory and technology, presenting poetry as an ancient and enduring data storage system.

SASHA STILES | MEMENTO MEMORIAE

ERIKA WEITZ | MISSED CONNECTIONS

OLGA FEDOROVA | SO COLD AND DEEP

SABATO VISCONTI | HYPERBLESSING

MARGARET MURPHY | FUTURE PASTS, PAST FUTURES

SKYE NICOLAS | THE INTELLECTUAL SUPERIORITY OF AI-CREATED ART

TRAVIS LEROY SOUTHWORTH | THRESHOLDS

The ARTIFICIAL SELF-PORTRAIT series by Danielle King investigates the fallibility of memory, the duality of self, and the ways in which artificial intelligence may both jog and change our memories, resulting in a new type of self-portrait. Her source images are self-portraits taken more than 20 years ago using a manual camera, a tripod, and a timer. King's younger self is captured in moments of vulnerability and self-reflection, and the concept of multiple selves is explored through manipulating them with AI technology.
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DANIELLE KING | ARTIFICIAL SELF-PORTRAITS

STEPHAN VASEMENT | ILLUSORY WORLD

PHILLIP TOLEDANO | ANOTHER AMERICA

IRA GREENBERG | BEASTS (NFTs)

A NEW BEGINNING | NFTs

Maxim Zhestkov | Metaphysics

Arvida Byström | Self portrait with anxiety

Christian Holze | Still Lifes

How do you feel? How do you feel when endlessly scrolling online? Is content art or is art content? Artists who are at home on the Internet often challenge the notion of identity.
The collection "How We Feel" puts the spotlight on more than 20 digital artworks revolving around the question of identity in an age of content. Jonas Lund, Arvida Byström, Jon Burgerman, Addie Wagenknecht, and David Henry Nobody Jr. give answers to questions about finding, establishing and being onself using their own visual language.

How we Feel

DAVID HENRY NOBODY JR. | STRINGS ATTACHED

Ziyang Wu | A Woman with the Technology – Carnival

Brooklyn based British artist Jon Burgerman has been feverishly creating for over 20 years. His instantly recognisable art has been exhibited all over the world from DIY exhibition spaces to museums to even the White House.

EXPANDED NFTs

JENNIFER & KEVIN MCCOY | MACHINE ORGANIC NFTs

CROSSLUCID | Dwellers Between the Waters. Forkings

GEOFF DAVIS | MA1 "ABSTRACT ORIGINALS"

SKYE NICOLAS | QUINTESSENCE

CHRIS COLEMAN & DEV HARLAN | THIN NATURES

MARGARET MURPHY | RE: ROAD TRIP

VOICES OF WEB3 | THE ARCHIVE 2023

ANIKA MEIER | LOST FUTURES

CROSSLUCID | Dwellers Between the Waters. Forkings

CLAUDIA HART | A CHILD'S MACHIAVELLI | NFTS

ANIKA MEIER | A JPEG HAS AN AURA

THE THINKING MACHINE. PRESENTING PIONEERS, 1953-2023 | NFTS

LEE MULLICAN | COMPUTER JOY

OONA | LIQUID HARMONY

HEINRICH HEIDERSBERGER | RHYTHMOGRAMS NFTs

Techno Terrain: Nature in the Age of the Metaverse

POETRY ON THE BLOCKCHAIN

OPERATOR | LET ME CHECK WITH THE WIFE

LOVID | SOUVENIRHRZ

CLAUDIA HART | MY TRAVELS IN HYPERREALITY

EMILY EDELMAN | ILLUMINATED

JURGEN OSTARHILD | POEMS FOR DAMIEN HIRST

JONAS LUND | JONAS LUND COLLECTIBLES

PIONEER GRAILS | 72-HOUR OPEN NFT EDITIONS

VICTOR ACEVEDO | ECTOPLASMIC KITCHEN SERIES

HERBERT W. FRANKE | MONDRIAN (1979/2010/2022)

LOVID | HUGS ON TAPE

MANUEL ROSSNER | I WROTE THIS SCRIPT

A BEATING HEART. FEMALE PIONEERS IN DIGITAL ART

JUSTIN AVERSANO | SMOKE AND MIRRORS – PHYSICAL TAROT SCROLLS – 2/3

KIM ASENDORF & LEANDER HERZOG | CHROME

MIKEY WOODBRIDGE & EZRA SHIBBOLETH | ALGORITHMIC ZONES OF PICTORIAL SENSIBILITY

CHIARA PASSA | OBJECT ORIENTED STONES

FAR | PHOTO FINISH

RECOLLECTION. AI AND MEMORY

ROOPE RAINISTO | RECOLLECTION MACHINE

CRASHBLOSSOM | PFPX30

ANNE SPALTER | INFLATEBLE METAVERSAL FRIENDS

ANNE SPALTER & NATHANIEL STERN | FUTURE MYTHOLOGIES

SASHA STILES | MEMENTO MEMORIAE

ERIKA WEITZ | MISSED CONNECTIONS

OLGA FEDOROVA | SO COLD AND DEEP

SABATO VISCONTI | HYPERBLESSING

MARGARET MURPHY | FUTURE PASTS, PAST FUTURES

SKYE NICOLAS | THE INTELLECTUAL SUPERIORITY OF AI-CREATED ART

TRAVIS LEROY SOUTHWORTH | THRESHOLDS

DANIELLE KING | ARTIFICIAL SELF-PORTRAITS

STEPHAN VASEMENT | ILLUSORY WORLD

PHILLIP TOLEDANO | ANOTHER AMERICA

IRA GREENBERG | BEASTS (NFTs)

A NEW BEGINNING | NFTs

Maxim Zhestkov | Metaphysics

Arvida Byström | Self portrait with anxiety

Christian Holze | Still Lifes

How we Feel

DAVID HENRY NOBODY JR. | STRINGS ATTACHED

Ziyang Wu | A Woman with the Technology – Carnival

Jon Burgerman

EVGEN ČOPI GORIŠEK | LOVELY BEGINNING

All NFTs